In Modern Maori Quartet: Two Worlds, an original play with songs, the show starts with the voice of God (a Kiwi woman) stating the rules of this Afterworld the quartet exist in. Four handsome Maori men stand in black suits…
In Between Tiny Cities រវាងទីក្រុងតូច choreographed by Nick Power and conducted within a marked circle on the timber floor of the State Theatre’s Rehearsal Room, an audience crowd round its edge to watch two male dancers (Aaron Lim and Erak…
This unique winter’s gig could not have been finer. The calibre so high, it may have been an unplugged recording in New York. As part of the final week of Glen Eira’s 9th annual Glen Eira Storytelling Festival, Glen Eira…
I’m lucky I live in the City of Glen Eira. Set in the inner South-East of multicultural Melbourne, home to Chadstone Shopping Centre, Monash University, the original ABC studios, a large section of the Jewish community, with a plethora of…
Want to see cutting edge dance from specialist apprentices? Get down to the state’s specialist arts training academy of the Faculty of Fine Arts and Music at the Victorian College Of The Arts. Located beside NGV International and Arts Centre…
Sharmini Kumar’s latest original play, The Sisters; or, Galileo’s Penance, is an enchanting hour spent visiting the 16th century lives of the two illegitimate daughters of Italian scientist, Galileo Galilei, in Italy. A pious Roman Catholic, he fathered three children…
Andi Snelling has earned her reputation as one of Melbourne’s deeply enticing physical and character performers, and her return to the stage with ‘Happy-Go-Wrong’ is a long awaited devoted performance that addresses ailment and struggle that is both personable and…
It’s a show which takes you to the digital edge. To the ISIS recruiting grounds and lost, hyperlinked highways of cyberspace – where the marginalized, mostly males, convene. UK Muslim and playwright Javaad Alipoor’s postmodern show, The Believers Are But…
A leader in her field of contemporary dance research, design, and practice, the latest iteration of Sue Healey’s distilled choreography mesmerised and intrigued. Alongside a cast of 23 final year Bachelor of Fine Arts(Dance) students, in partnership with a team…
The body as artistic form and physical marvel capable of the transcendent stood centrestage in Sydney Dance Company’s 50th Anniversary Triple Bill, Bonachela/Nankivell/Lane. The company’s standard elite athleticism, vigor, dynamism, and fervent technical prowess, as well as spotlight on the…