Dirty Laundry, presented by Briefs Factory International at the Sydney Spiegeltent, is a unique fusion of cabaret, circus, and burlesque that aims to engage its audience with performances that mix daring physical feats with a narrative exploring themes of identity, freedom, and acceptance. Situated in one of Sydney’s more quaint venues, the show offers a mix of spectacle and story that seeks to resonate personally with its viewers.

The performers, a diverse group of artists, bring to the stage a variety of acts that showcase their skills in acrobatics, aerial manoeuvres, and dance. These performances are commendable for their physicality and the effort to convey more profound messages through movement and expression. While some acts are more successful in this endeavour than others, the overall effort to blend entertainment with a meaningful exploration of self and society is evident. I must give a personal shout-out to Mark “Captain Kidd” Winmill, who I have been following since the early days in Brisbane. He continues to bring an incredible stage presence, which is intoxicating.

Dirty Laundry distinguishes itself with its willingness to tackle personal and societal themes through the medium of performance art. The narrative threads interwoven through the acts attempt to shed light on the performers’ journeys and struggles, aiming to create a connection with the audience. This approach, while ambitious, varies in its impact, with some moments feeling more engaging and emotionally resonant than others.

The production aspects of the show, from lighting to costume design, work together to create an atmosphere that is both intimate and vibrant. With its unique charm, the Spiegeltent adds a layer of intimacy to the performance, making the audience feel closer to the action. However, the show’s reliance on the venue’s natural ambience means that, at times, the production values can seem constrained, relying heavily on the performers’ abilities to carry the emotional weight of the piece.

Dirty Laundry is, at its core, a celebration of diversity and self-expression. It invites its audience to reflect on the complexity of identity and the importance of acceptance and understanding. While the show’s execution of these themes can sometimes feel uneven, its intention is clear and commendable.

This show a must-see for anyone looking for something that combines amazing performances with a meaningful narrative. It is a testament to the transformative power of art, a reminder that in the face of adversity, beauty and strength can flourish. As the performers take their final bow to the sound of thunderous applause, one can’t help but feel a sense of connection, a shared understanding that in this space, we are all united in our humanity.

– The other Daniel Craig

Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig

Briefs – Dirty Laundry runs for two hours (with 20 min interval) and plays at the Sydney Spiegeltent through 15 March 2024. Tickets are available through the Sydney Spiegeltent box office.

Disclosure: The Plus Ones were guests of Original Spin

Image credit: Belinda Rolland.