It’s time to get inspired: the Melbourne Festival brings the opportunity to connect with art, people, and ideas. Running from 4-22 October 2017, the festival has something in store for everyone. Be it dance, theatre, music, visual arts or multimedia…
Despite being self-proclaimed as Melbourne’s least professional water ballet squad, The Clams have certainly vaulted to be the city’s most popular. Their debut show Crimson Tide had only a short run over a weekend, though the 25 ballerinas certainly made…
Auckland-based theatre and performance artist Julia Croft created If There’s Not Dancing at the Revolution, I’m Not Coming because she is angry. She calls it a ‘tiny call to arms’. Rather than direct confrontation, Julia performs a series of vignettes…
‘Niche’ can be many things. To fans, Niche is a popstar, she’s unique, and they can not get enough of her. In science terms, Niche is a parasite. She is a biological species that has infected the environment of modern…
Australian-born composer and pianist Warren Wills was compelled to write Bowie & Mercury Rising following David Bowie’s death last year, aged 69. Freddie Mercury would have turned 70 that same year. This concert is a tribute to the two much…
For one night only, to a full house, esteemed Melbourne ballet academy, The Australian Conservatoire of Ballet, brought us samples from the classics for a night to remember in a return of their specialist showcase, The International Ballet Gala. Internationally…
The atmosphere was positively electric for Moira Finucane’s opening of her new performance, The Rapture. There was frenetic buzzing energy from the audience as we shuffled to our seats at the cabaret-style tables at fortyfivedownstairs. A cross-shaped catwalk dominates the…
An elite panel of eight indigenous ballet dancers met as part of Yirramboi (tomorrow), a First Nations Art Festival, at Melbourne Town Hall to discuss their stellar careers in Aboriginal Ballet Dancers of Australia. Facilitated by BlakDance co-founder Marilyn Miller…
Sydney Dance Company’s double bill, ORB, showed at Arts Centre Melbourne to rapturous applause. ORB opens with the mystifying Full Moon by Taiwanese choreographer Cheng Tsung-lung, a hypnotising melody of his fascination with the moon and all those who inhabit…
As a small child, I used to dance wildly around the house. Instead of walking from room to room, I chose to use made up dance moves to get around. Our living room was host to many days (and nights)…