Captivating physical theatre entertained with humour and skill on a winter’s night as part of Stonnington’s 2017 Glow Winter Arts Festival in If These Walls Could Talk. The work is set in an apartment within which a vibrant set of…
Swedish film The Square is making its Australian debut at Melbourne’s most wonderful film festival, MIFF. After taking out the 2017 Cannes Palm d’Or, my fellow movie-watching crew and I had high hopes for filmmaker Ruben Östlund’s unusual and inventive…
It’s August, and that part of this City of Literature’s calendar given over to enlightening speakers, fervent debate, and general conviviality known as The Melbourne Writers Festival. Headquartered at Federation Square, using ACMI,Deakin Edge and the forecourt, this ideas fest…
Deft physical manoeuvres and a minute examination of the codes of movement are elegantly displayed in Stephanie Lake Company’s Pile Of Bones. A contemporary-era tour de force on ritualism and humanity, with a hypnotic electronic soundtrack, and elemental set and…
A triumph of American independent filmmaking. Sometimes at a film festival, your biggest takeaway from a screening is, ‘I need to see that again.’ This was mine after seeing Justin Benson and Aaron Moorhead’s The Endless, a film the duo…
It seems rather odd to head out on a cold, wintery Melbourne night to sample some of Vin de Provence’s finest rosés’ at Rendez-Vous in Provence. My Plus One and I braved the bitter weather and headed to North Melbourne,…
I have only had but a few circus experiences in my life. But preceding every one, there has always been a sense of excited anticipation. There is something about the circus, a youthful thrill that is always present. This was…
The Wound is the directorial debut from filmmaker John Trengove that has been receiving some hot debate about its controversial look at the clash of tradition and modernity in South Africa. On a chilly Melbourne evening we made our way…
Melbourne Opera delights audiences once again with its second Wagnerian opera, Lohengrin, a visual feast that’s well-cast and beautifully sung. This next chapter maintains the high standard set by its acclaimed predecessor, Tannhäuser. Director Suzanne Chaundy delivers once again with…
There are those who like the bleak, philosophical plays of mid-twentieth century Irishman, Samuel Beckett, and those who would rather swallow poison. On offer for us, in the subtle darkness of La Mama’s old theatre, were two short plays brought…