Cluedo, currently playing at the Theatre Royal Sydney, is a riotous, high-octane romp that leans wholeheartedly into the absurdity of its source material. What unfolds is a zany, fast-paced, high-energy spoof of the beloved board game, delivered with such commitment and precision that it becomes an evening of farcical, slapstick comedy at its finest.
The plot cleverly mirrors the familiar mechanics of the game: a group of suspicious characters assemble in a mysterious mansion, a murder occurs, and chaos ensues as secrets unravel and accusations fly. However, rather than aiming for tension or intrigue, this adaptation revels in its own ridiculousness. The narrative twists and turns at breakneck speed, peppered with rapid-fire gags, physical comedy, and knowing winks to the audience. It’s less about “whodunnit” and more about “how can we make this even more outrageous?”
Under the direction of Luke Joslin, the production thrives on its comedic instincts. Joslin demonstrates a clear understanding of the genre, allowing the humour to land without overindulgence while still pushing the boundaries of farce. He expertly harnesses the cast’s considerable comedic talents, ensuring that every performer has their moment while maintaining the show’s relentless pace. The result is a tightly wound machine of chaos, where timing is everything and rarely missed.
Visually, the production is just as inventive. James Browne’s set design is particularly ingenious, utilising sliding rooms that seamlessly reveal different parts of the mansion as the action unfolds. It’s a clever and dynamic solution that keeps the story moving while adding to the sense of theatrical play. Browne’s costume design is equally effective, capturing the essence of each character with bold, instantly recognisable choices that heighten the comedic tone.
The technical elements work in perfect harmony to support the madness on stage. Sean Peter’s sound design punctuates the action with precision, enhancing both the comedy and the pace, while Jasmine Rizk’s lighting design brings cohesion to the constantly shifting scenes. Together, they create a seamless world where transitions feel effortless despite the staging’s complexity.
This production is very much an ensemble triumph. Every actor contributes meaningfully, building a shared comedic rhythm that elevates the material. The supporting cast—including Octavia Barron-Martin as Cook, Lib Campbell as Yvette, Joshua Monaghan as Mr Boddy, and Nat Jobe as Bobby—provides a strong foundation that allows the central chaos to flourish.
The leading ensemble embraces the madness with gusto. Olivia Deeble’s Miss Scarlett is sharp and commanding, while Rachael Beck delivers a delightfully dry Mrs White. David James brings an endearing awkwardness to Professor Plum, and Genevieve Lemon’s Mrs Peacock is a masterclass in comedic timing. Adam Murphy’s Colonel Mustard is wonderfully blustering, and Grant Piro’s Wadsworth anchors the show with an assured, energetic presence.
However, it is Laurence Boxhall’s Reverend Green who stands out as the pick of the cast, delivering a performance that perfectly balances absurdity with precision. His comedic instincts are razor-sharp, and he consistently finds new ways to surprise and delight.
Cluedo is not subtle, nor does it try to be. Instead, it embraces its identity as a full-throttle farce and executes it with confidence and flair. The result is an evening of theatre that is unapologetically silly, consistently funny, and thoroughly entertaining.
– The other Daniel Craig
Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world and try new gins.
Cluedo runs for 90 minutes (no interval) and plays at Theatre Royal Sydney through 10 May 2026. Tickets are available through Theatre Royal Sydney.
Disclosure: The Plus Ones were guests of Jessica Bendell Publicity
Image credit: Jeff Busby
