Pink, power, and a whole lot of pizzazz – Gosford Musical Society’s Legally Blonde the Musical is a high-energy triumph, bringing the beloved film to life with a fresh, vibrant, and utterly dazzling production.

For those unfamiliar with the story, Legally Blonde follows Elle Woods, a perky and fashion-forward sorority girl who seems to have it all – until her boyfriend, Warner Huntington III, breaks up with her to pursue a more “serious” future at Harvard Law. Determined to win him back, Elle follows him to Harvard, only to discover that she’s capable of far more than just looking good in pink. Along the way, she befriends Emmett Forrest, clashes with the intimidating Professor Callahan, and finds her biggest cheerleader in the quirky, dog-loving Paulette Buonufonte. What starts as a love-driven mission turns into a journey of self-discovery, proving that intelligence, kindness, and style can go hand in hand.

Director Karen Snook has done it again. With an uncanny ability to balance the prissy, pink-coated sorority world with the poignant, heartfelt moments of Elle’s journey, Snook ensures that this production runs deeper than you’d expect. She should be known as the Midas of the Theatre because everything she touches turns to gold. This success is in no small part due to her brilliant creative team.

Lindsay Kaul has wrangled excellent vocals from the cast, even when the powerful score occasionally overpowered the orchestra. The harmonies and powerhouse numbers soared, making every song a standout moment. Amanda Woodbine’s choreography is like a cheerleader on steroids – high energy, endlessly exciting, and seamlessly woven into the storytelling. From the infectious “Omigod You Guys” to the hilarious “Bend and Snap,” Woodbine’s routines are sharp, dynamic, and full of life.

Beck Cruckshank’s set design was cleverly crafted, adaptable, and built to reduce scene changes, allowing for a smooth, uninterrupted flow to the story. Meanwhile, Kylie Preston’s costumes stole the show. The colour, light, and meaning she brought to each character’s wardrobe—notably Elle’s evolution—added depth to the storytelling, subtly tracking her journey from pink-clad sorority queen to a confident, capable lawyer.

The cast was one of the strongest dance ensembles GMS has delivered in a long time. The Delta Nu’s, led by Serena (Hayley Barnett), Pilar (Maddi Xuereb), and Margot (Erin Hobden), perfectly balanced superficial charm with fierce loyalty to Elle. Tara Thompson (Vivienne) and Bryn Watkey (Warner Huntington III) brought layered performances, with Thompson in particular beautifully transforming Vivienne’s relationship with Elle. Daniel Widdowson’s Professor Callahan was suitably creepy—eliciting groans and gasps from the audience, while Alexander Rowe’s Emmett Forrest shone with his acting strength. Nicholas Langthorne, as Kyle, had the audience in stitches, effortlessly stealing scenes with his sex appeal and big packages. And yes, this production is complete with two furry friends; Bruiser Woods and Rufus.

But just like the movie, the show belonged to two leading ladies. Jacqui Grunden as Paulette Buonufonte displayed impeccable comedic timing, delivering every line with charm and hilarity. Chloe McWilliam’s Elle Woods was a tour de force—commanding the stage with boundless energy, leading the cheer line, and belting out every song with effortless power.

Gosford Musical Society has long been synonymous with top-tier community theatre, and Legally Blonde continues that legacy. This production is an absolute knockout—full of heart, humour, and enough pink power to leave the audience grinning from ear to ear.

– The other Daniel Craig

Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig

Legally Blonde the Musical runs for 2 hours 30 minutes (with 20-minute interval) and plays at the Laycock Street Community Theatre, through 15 March 2025. Tickets are available through Laycock Street Community Theatre.

Disclosure: The Plus Ones were guests of Gosford Musical Society.
Image credit: Troy Snook