Amy Herzog’s 4000 Miles, currently playing at Sydney Theatre Company, is a beautifully crafted play that delves into grief, intergenerational relationships, and self-discovery with warmth and humour. The story follows 21-year-old Leo, who unexpectedly arrives at his grandmother Vera Joseph’s New York apartment after a cross-country bike trip gone awry. As the two navigate their differences—generational, ideological, and personal—Leo’s struggles with loss and purpose become deeply intertwined with Vera’s own reflections on aging and loneliness. Their unlikely bond forms the heart of the play, offering moments of quiet tenderness, sharp wit, and emotional catharsis.

Kenneth Moraleda’s direction is fantastic, capturing the ebb and flow of everyday conversation and unspoken emotions with remarkable sensitivity. His approach allows the naturalistic dialogue to shine, ensuring each scene feels intimate and genuine. The pacing is steady but never lags, letting the characters’ relationships evolve organically. He also beautifully balances the play’s humour and heartbreak, making even the smallest moments feel significant.

Jeremy Allen’s brilliant static set design is a masterpiece of attention to detail. The cluttered yet cozy Manhattan apartment is filled with lived-in touches—a testament to Vera’s long life and strong personality. Every book, piece of furniture, and framed photo contributes to the authenticity of the space, making it feel like a real home rather than just a set. The design grounds the play in reality and enhances the themes of memory and history that run through the narrative.

Kelsey Lee’s lighting design is nothing short of exceptional. The nuanced shifts between night and day subtly guide the audience through the passage of time, enhancing the play’s realism. One particularly impressive touch is the sensor light in the apartment building, flicking on and off as characters enter and exit—a seemingly minor detail that adds a layer of believability and atmosphere to the production. These elements work seamlessly to create a world that feels immersive and emotionally resonant.

The four-person cast delivers exceptional performances, each bringing depth and authenticity to their roles. Ariadne Sgouros as Bec, Leo’s ex-girlfriend, and Shirong Wu as Amanda, a young woman he brings home after a night out, present two vastly different sides of Leo’s life. Sgouros captures Bec’s frustration and lingering affection for Leo with sincerity, while Wu injects Amanda with sharp humour and energy, highlighting the contrast between Leo’s romantic past and present.

Shiv Palekar’s portrayal of Leo is beautifully layered, capturing the character’s emotional turmoil with subtlety and nuance. His performance is marked by small but significant shifts that reveal Leo’s vulnerability as he grapples with his past mistakes, grief, and uncertain future. His interactions with Vera are particularly touching, showcasing the evolving dynamic between the two characters with tenderness and authenticity.

And then there’s Nancye Hayes as Vera Joseph—an absolute triumph. Her performance is a masterclass in characterisation, embodying the wit, warmth, and stubbornness of an aging grandmother who challenges and comforts her grandson. She naturally ages the character throughout the play, subtly shifting Vera’s physicality and speech to reflect her increasing dependency on Leo. Her portrayal is deeply relatable, especially for anyone who has known a loving yet brutally honest elder. Brava, Nancye!

Sydney Theatre Company’s 4000 Miles is an emotionally rich, beautifully directed, and impeccably performed production that lingers long after the final scene. Its heartfelt story, stunning design, and outstanding cast make it a must-see theatrical experience.

– The other Daniel Craig

Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig

4000 Miles runs for 100 minutes (with no interval) and plays at the Wharf 1 Theatre, Sydney Theatre Company, through 23 March 2025. Tickets are available through Sydney Theatre Company.

Disclosure: The Plus Ones were guests of Sydney Theatre Company.
Image credit: Daniel Boud