Opera Australia and Jones Theatrical Group’s Hadestown at Theatre Royal Sydney is a spellbinding triumph, weaving together mythology, music, and an unforgettable spectacle. The show reimagines the ancient Greek myth of Orpheus and Eurydice through the lens of New Orleans jazz and folk, offering a profoundly emotional and visually stunning theatrical experience. The narrative, infused with modern political undertones, follows young lovers Orpheus and Eurydice as they navigate the harsh realities of poverty, temptation, and the dark underworld ruled by Hades. Their tragic love story unfolds with heart-wrenching poignancy, amplified by an outstanding score and powerful performances.
Rachel Hauck’s set is a masterpiece of atmospheric storytelling, seamlessly transitioning between a New Orleans speakeasy’s smoky, raucous energy and the cold, industrial depths of Hades’ underworld. The dynamic use of revolving platforms, rustic textures, and layered staging immerses the audience in the world of the play, enhancing every moment of drama and tension.
David Neumann’s choreography is another highlight, adding electric energy to the production. The movement is visually striking and integral to the storytelling, with the ensemble embodying the working-class struggle and the seductive lure of Hadestown. From the sensual, earthy footwork of Persephone’s revellers to the disciplined, mechanical precision of Hades’ factory workers, every motion on stage contributes to the narrative’s emotional weight.
Bradley King’s lighting design is breathtaking, elevating the production into a theatrical tour de force. The moment Wait for Me begins beams of golden light slice through the darkness, creating a spine-tingling visual that makes the stage feel boundless. It’s the kind of lighting design that doesn’t just complement a scene—it defines it. This number, one of the best-staged musical sequences of any show I’ve seen, rightfully earned a mid-act standing ovation.
The music of Hadestown is phenomenal, blending jazz, folk, and blues into a deeply soulful and wildly infectious score. Special mention goes to trombonist James Greening, whose brass work brings the Louisiana jazz influence to life with remarkable flair. From the rousing ensemble numbers to the most intimate ballads, the music propels the story forward with passion and raw emotion.
The cast of 13 delivers an extraordinary vocal performance, with standout moments throughout the night. The Fates—Sarah Murr, Jennifer Trijo, and Imani Williams—are mesmerising, their harmonies weaving an eerie, omniscient presence throughout the show. Christine Anu’s powerhouse vocals bring authority to the role of Hermes, though at times, her narration felt a little too rehearsed. Adrian Tamburini embodies the menacing yet complex Hades, delivering a villain who is both commanding and unexpectedly vulnerable in Act 2.
Abigail Adriano as Eurydice brought incredible emotional depth to her performance, making the audience feel every high and low of her journey. Her voice carried both fragility and strength, creating a compelling portrayal of a character caught between love and survival.
However, the two true stars of the night were Elenoa Rokobaro as Persephone and Noah Mullins as Orpheus. Rokobaro’s voice is a once-in-a-generation instrument, effortlessly filling the theatre with fiery defiance and aching sorrow. This is a career-defining role for Rokobaro! Mullins’ innocent stage presence, paired with his ethereal falsetto, made Orpheus an easy character to love and to believe in.
I reserve my standing ovations for truly great theatre, and last night, I was on my feet the moment the final note rang out. Hadestown is theatre at its finest—electrifying, poignant, and absolutely unmissable.
– The other Daniel Craig
Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig
Hadestown runs for 2hrs 30 minutes (with 20 min interval) and plays at the Theatre Royal Sydney through 26 April 2025. Tickets are available through Theatre Royal Sydney.
Disclosure: The Plus Ones were guests of Jessica Bendell Publicity.
Image credit: Lisa Tomasetti
