A rip-roaring adventure packed with laughs, heart, and high energy, Peter and the Starcatcher at the Capitol Theatre is a must-see theatrical marvel. This wildly imaginative prequel to Peter Pan takes audiences on an exhilarating journey through high seas, remote islands, and the very origins of the beloved boy who never grew up. Brimming with wit, whimsy, and unexpected poignancy, the show cleverly intertwines swashbuckling adventure with laugh-out-loud comedy, offering an enchanting experience for audiences of all ages.
The production’s visionary direction and stunning set design by David Morton elevate the show to spectacular heights. His ingenious staging creates a fast-moving, visually captivating world that is theatrical and deeply immersive. With minimalistic set pieces transformed into ships, islands, and ocean waves through sheer creativity and movement, Morton proves that imagination is the most potent special effect in theatre. Every moment feels intentional, dynamic, and deeply engaging.
Wayne Barker’s music is both scene-setting and refreshingly original, providing a score that keeps the show lively and seamlessly shifting between its adventurous and comedic tones. Additional music by musical director James Dobinson ensures a continuous, rhythmic drive that carries the narrative forward, accentuating the humour and emotion embedded within the script. The result is a soundtrack that feels integral to the production, effortlessly enhancing the storytelling.
Evoking the spirit of pantomime, Peter and the Starcatcher invites the audience to be in on the joke, creating a participatory atmosphere that only adds to the show’s infectious energy. The movement direction by Liesel Zink and the vibrant costumes by Anna Cordingley further reinforce this playful, larger-than-life aesthetic. Every flourish, every exaggerated gesture, and every elaborate costume piece works in harmony to draw the audience deeper into this fantastical world.
If Morton wasn’t already busy enough, his work as a puppet designer under the Dead Puppets Society banner is nothing short of exquisite. The puppetry is a true highlight, seamlessly integrated into the storytelling and adding a layer of magic to the production. Each puppet—whether representing a ferocious crocodile or a fluttering bird—enhances the scene and transports the audience into the whimsical world of Neverland. The craftsmanship and manipulation of these creations are so finely tuned that they feel like living, breathing characters within the story.
This is a show that thrives on high energy, and the star-studded ensemble cast keeps that momentum alive from start to finish. With only 13 actors juggling multiple roles, handling puppets, shifting set pieces, and even playing musical instruments, the sheer talent on display is breathtaking. Alison Whyte as Lord Leonard Aster and Olivia Deeble as Molly Aster embody their refined British personas with charm and precision, their performances bouncing off the show’s comedic moments beautifully. Colin Lane as Black Stache and Pete Helliar as Smee are absolute comedic gold; their banter with the audience is fluid and natural, which is a testament to their extensive stand-up experience. Ryan Gonzalez delivers powerhouse vocals while transitioning between his many roles like a theatrical chameleon, and Otis Dhanji as Boy (Peter) brings a raw authenticity to the role, making his ultimate fate all the more heart-wrenching.
There’s simply too much brilliance in this cast to praise in one review—you’ll have to see it for yourself. Peter and the Starcatcher is an absolute triumph, bursting with heart, humour, and theatrical ingenuity. Don’t miss it!
– The other Daniel Craig
Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig
Peter and the Starcatcher runs for 2hrs 20 minutes (with 20 min interval) and plays at the Capitol Theatre Sydney through 9 February 2025. Tickets are available through Ticketmaster.
Disclosure: The Plus Ones were guests of IP Publicity.
Image credit: Daniel Boud
