Sydney Theatre Company and Michael Cassel Group’s Dear Evan Hansen at the Roslyn Packer Theatre, Sydney, breathes new life into a story that has resonated with audiences worldwide. At its heart, the plot delves into the complexities of teenage loneliness, mental health, and the human desire for connection, all seen through the eyes of Evan Hansen, a socially awkward teen who finds himself caught in a lie that spirals out of control. As Evan navigates the consequences of his choices, the show captures the deep emotional conflict of trying to belong in a world that often feels alien.
Under Dean Bryant’s fresh Australian direction, this production stands apart. Bryant takes a familiar tale and reimagines it with a clarity and sensitivity that strikes a chord with audiences in a new way. Zara Stanton’s musical direction is flawless, making each note a crucial part of the storytelling, while Shannon Burns’ movement direction infuses the show with an exciting energy that keeps the tension tight and the pace brisk.
What truly sets this production apart is its remarkable design. Jeremy Allen’s pared-back set is a glorious contrast to the over-the-top cookie-cutter musicals we’ve often seen in Australian premieres. It’s refreshingly minimalist, which allows the story’s emotional weight to take centre stage. Matt Scott’s lighting design, Andrew Poppleton’s sound design, and David Bergman’s video work come together in perfect harmony, creating an immersive, poignant atmosphere. The overall effect feels original, crisp, and—most importantly—fresh.
It’s astonishing that only eight cast members carry this emotionally hefty show. Martin Crewes, as Larry Murphy, brings an approachable warmth and strength to his portrayal of a father struggling to connect. Natalie O’Donnell’s heart-wrenching performance as Cynthia Murphy had the audience tearing up with her authentic expression of grief. Verity Hunt-Ballard, a true chameleon of Australian theatre, delivers an unforgettable performance as Heidi Hansen, balancing maternal love and the weight of her struggles with heartbreaking realism.
The younger cast members shine just as brightly. Jacob Rozario’s portrayal of Jared Kleinman is hilarious, nailing the horny, overconfident teen. Carmel Rodrigues brings just the right intensity to Alana Beck, the girl at high school who takes everything too far. Harry Targett’s transition from the troubled Connor Murphy to a much softer memory of the character is seamless and skilfully done. Georgia Laga’aia, a newcomer to the Australian stage, is a revelation as Zoe Murphy, her powerhouse vocals nearly lifting the roof off the theatre.
But the star of the night is Beau Woodbridge, as Evan Hansen. Not only does Woodbridge look the part of a teenager—a refreshing departure from past productions—but he also embodies Evan’s awkwardness and vulnerability to perfection. His voice soars through the demanding score, giving the character a depth that resonates deeply with the audience. While the story may leave some viewers conflicted (Evan’s actions remain morally ambiguous), Woodbridge’s performance is undeniably captivating.
This production is a must-see, showcasing the very best of Australian creative talent. For anyone seeking a night of emotional storytelling paired with stunning performances, Dear Evan Hansen at Roslyn Packer Theatre is not to be missed. Get your tickets now before this unforgettable run sells out!
– The other Daniel Craig
Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig
Dear Evan Hansen runs for 2hrs 30 minutes (with 20 min interval) and plays at the Roslyn Packer Theatre through 1 December 2024. Tickets are available through the Sydney Theatre Company.
Disclosure: The Plus Ones were guests of Sydney Theatre Company.
Image credit: Daniel Boud
