The Capitol Theatre in Sydney is rejoicing with the uplifting energy of Sister Act, a musical that reimagines the beloved 1992 film with a fresh and vibrant twist. The plot follows Deloris Van Cartier, a disco diva who finds herself in witness protection after witnessing a murder. The unconventional choice of hiding her in a convent leads to an unexpected and joyous collision of worlds. As Deloris transforms the convent’s lacklustre choir into a sensational act, she not only saves herself but also brings new life to the sisters and the community.
Under the meticulous direction of Bill Buckhurst, the production balances humour, heart, and high stakes with finesse. Buckhurst’s vision ensures that the essence of the original film is preserved while also allowing the story to thrive on stage. His direction is dynamic and thoughtful, ensuring that every comedic moment lands with precision and that the more tender moments resonate deeply with the audience.
Daniel Griffin’s musical direction is nothing short of spectacular. Unlike many movie-to-stage adaptations that rely heavily on familiar songs, Sister Act features an original score that breathes new life into the narrative. The music and lyrics, composed by Alan Menken and Glenn Slater, are a perfect homage to the film’s iconic soundtrack. Griffin’s musical direction amplifies the brilliance of these new compositions, making them feel instantly timeless while still fresh and exhilarating. The blend of gospel, disco, and pop not only supports the narrative but also elevates it, making each musical number a show-stopping event.
Based on the UK touring version, the set and costumes are a visual treat. They manage to capture the essence of the film while adding a unique flair that is perfect for the stage. The vibrant costumes are whimsical and reflective of each character’s personality. The set transitions seamlessly between the gritty streets of Philadelphia and the serene convent, immersing the audience in Deloris’s journey.
The cast of Sister Act is nothing short of extraordinary. The ensemble, portraying henchmen, drinkers, and cops, are not just background players but integral parts of the show’s success. Each performer brings their own unique talent, adding depth and richness to the production. The cloister of nuns is particularly memorable, with each sister’s quirks and oddities brought to life with flair.
Raphael Wong, as Detective Eddie Souther, delivers a heartfelt performance as the lovable cop desperate for a win. Genevieve Lemon as Mother Superior and Rhona Burchmore as Sister Mary Lazarus are true theatre royalty, delivering equal parts humour and heart. Sophie Montague, as Sister Mary Robert, is a revelation, their vocal prowess and nuanced performance marking them as a rising star in Australian musical theatre.
And then, there’s Casey Donovan as Deloris Van Cartier. Donovan is electric, owning the stage with her powerful vocals and charismatic presence. Her portrayal of Deloris is both fresh and iconic, ensuring that her performance will be talked about for years to come.
Sister Act is a must-see. With its stellar cast, brilliant direction, and an unforgettable score, this production is a joyous celebration of music, faith, and the power of friendship. I’ve already booked tickets to see it again! Don’t miss the chance to witness this dazzling show.
– The other Daniel Craig
Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig
Sister Act runs for 2 hours and 30 minutes (including 20-minute interval) and plays at the Capitol Theatre Sydney, through 26 October 2024. Tickets are available through Ticketmaster.
Disclosure: The Plus Ones were guests of Jessica Bendell Publicity.
Image credit: Daniel Boud
