In the Heights at the Sydney Opera House is a vibrant explosion of music, dance, and heartfelt storytelling that transports audiences straight to the heart of Washington Heights. This electrifying production, directed by Luke Joslin, encapsulates the essence of a community fighting for their dreams amidst the pressures of gentrification and cultural preservation.
The plot centres around Usnavi De La Vega, a bodega owner with dreams of returning to his native Dominican Republic. The narrative weaves through the lives of various neighbourhood residents, each with their aspirations and struggles. From the ambitious Vanessa, who dreamed of leaving the Heights, to Nina, the pride of the barrio who faced challenges at Stanford, the story is a poignant and powerful tapestry of human experiences.
Luke Joslin’s direction was masterful, expertly balancing intimate moments with grand musical numbers, ensuring each scene resonated with authenticity. His vision brought out the best in every performer, creating a cohesive and compelling narrative that captivated the audience from the start. Victoria Falconer’s musical direction was exemplary, capturing the vibrant, eclectic sounds of In the Heights. The fusion of hip-hop, salsa, merengue, and soul was brought to life with precision and passion, hitting every emotional note perfectly.
Amy Campbell’s choreography was a highlight of the production. Her incredible ability to create natural yet impressive choreography ensured that every step felt both purposeful and spontaneous. The dance numbers were a dynamic blend of styles that showcased the performers’ talents while staying true to the show’s cultural roots. Campbell’s work made the dance scenes feel like they were happening for the very first time, full of energy and life. Mason Browne’s versatile set design ingeniously brought Washington Heights to life, capturing its transitional state and enhancing the audience’s immersion in the story.
The cast was truly spectacular, infusing the stage with life and Latin flair. Despite a few minor sound and lighting issues, the cast carried on with unwavering professionalism, their performances undeterred and powerful. I wish I had enough words to pay tribute to every performer’s exceptional skills.
Lena Cruz delivered a heartwarming performance as Abuela Claudia. Cruz embodied the warmth and wisdom of her character, providing a sense of security and nostalgia that grounded the show with emotional resonance. Janet Dacal, as Daniela, and Tamara Foglia Castaňeda, as Carla, shone in No Me Diga, delivering a performance worthy of a standing ovation. Their chemistry and comedic timing added a delightful spark to the show. Olivia Vásquez, as Vanessa, captivated with her incredible vocal range and dynamic dance, her character’s sex appeal spilling over the edge of the stage and into the audience.
Finally, Ryan Gonzalez, as Usnavi De La Vega, was a true star. Their precision, charm, and ability to navigate the quick rap patter were nothing short of remarkable, solidifying their place in Australia’s rich musical theatre scene.
In the Heights at the Sydney Opera House is a show you don’t want to miss. It is a true celebration of culture, community, and the resilience of the human spirit. Get your tickets now, and be prepared to be blown away by this sensational show!
– The other Daniel Craig
Daniel Craig is an international performer and has established himself as a trusted theatre specialist on the Sydney Arts Scene. While he understands the technical side of theatre, Dan writes for the everyday theatregoer (unlike some of those more prominent publications). When not in the audience, he loves to travel the world trying new gin. Follow him on all the socials @talldancraig
In The Heights runs for 2 hours and 30 minutes (including 20-minute interval) and plays in the Drama Theatre, Sydney Opera House, through 25 August 2024. Tickets are available through the Sydney Opera House Box Office.
Disclosure: The Plus Ones were guests of the Sydney Opera House.
Image credit: Daniel Boud
